Mit einem Erfahrungsschatz aus 5 Jahrzehnten Symphonic Line hat Rolf Gemein längst seine Klang-Signatur gefunden
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Man nehme einen Breitbänder, ein Gehäuse und lasse im Grunde alles weitere weg. Heraus kommt wahrscheinlich ein Lautsprecher, der nicht besonders gut klingt. Es sei denn, man weiß, was man tut.
>> Mehr erfahren>> Alle anzeigenKategorie: Profi- / Musiker-Equipment
Ausstattungsliste: Bettermaker Mastering Compressor
| Specification | |
| Frequency response | 10Hz to 22kHz (+/- 0.2 dB) |
| Dynamic range | 106dB (+23dBu, 22kHz BW) |
| S/N ratio | 87dB (A-weighted, +4dBu, 22kHz BW, unity gain) |
| Crosstalk | -83dB @ 1kHz, +18dBu, channel-to-channel |
| CMRR | max 85 dB @ 3 kHz, min 52 dB @ 20Hz, 20 kHz BW |
| THD | 2nd: < 0.06%, 3rd: < 0.01%; 4th: < 0.006%; (+4 dBu, 20-20 kHz, unity gain, THD and CLIP disabled) |
| Balanced stereo input | (XLR), 23dBu max input level (THD < 0.2%) |
| Balanced stereo output | (XLR), 23dBu max output level (THD < 0.2% into >2kohm) |
| Input impedance (differential) | 48kΩ (for balanced signal) |
| Output Impedance | 50Ω + 50Ω (electronically balanced) |
| Other | 2U enclosure, 230mm deep (Mastering Compressor) |
| 1U enclosure, 230mm deep (Bus Compressor) | |
| universal 100 – 240V power supply designed by Bettermaker (with Auto-on function) | |
| Maximum power consumption | 25W |
| Shipping weight and size | 5.5 kg (Mastering Compressor), 5 kg (Bus Compressor), 62x37x21 cm |
| Threshold | -35dB / +5dB (40dB range) |
| Attack | 0.1 – 250 ms |
| Release | 10 – 2000 ms |
| Ratio | Variable 0.7:1 – 10:1 |
| Knee | Variable 0 – 20dB |
| Output | -5dB to +15dB |
| Width (in M/S) | -8dB to +8dB |
| Range | Variable 0.1dB – 20dB / off |
| HPF24 | Off/15/20/25/30 Hz |
| THD + DRIVE | off/odd/even |
| Sidechain HPF | off – 370Hz |
| Sidechain LPF | 2k – 18k / off |
| SC MF gain | +/- 15dB |
| SC MF freq | 0.5 – 10kHz |
| SC MF Q | 0.2 – 8 |
| Sidechain Feed | Forward/Backward |
| Sidechain Type | RMS/PEAK |


